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	<title>Comments on: Spook Country by William Gibson</title>
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	<link>http://bobsbooks.wordpress.com/2009/02/09/spook-country-by-william-gibson/</link>
	<description>Collected Literary Musings</description>
	<lastBuildDate>Sun, 29 Nov 2009 19:35:14 +0000</lastBuildDate>
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		<title>By: RFM</title>
		<link>http://bobsbooks.wordpress.com/2009/02/09/spook-country-by-william-gibson/#comment-5008</link>
		<dc:creator>RFM</dc:creator>
		<pubDate>Mon, 16 Feb 2009 12:41:43 +0000</pubDate>
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		<description>Were you in Vancouver as you finished it?

I like the idea of radioactive money, by the way.</description>
		<content:encoded><![CDATA[<p>Were you in Vancouver as you finished it?</p>
<p>I like the idea of radioactive money, by the way.</p>
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		<title>By: rashbre</title>
		<link>http://bobsbooks.wordpress.com/2009/02/09/spook-country-by-william-gibson/#comment-5007</link>
		<dc:creator>rashbre</dc:creator>
		<pubDate>Sat, 14 Feb 2009 11:01:13 +0000</pubDate>
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		<description>This was my backpack book last Summer, whilst I travelled around Canada. I enjoy Gibson&#039;s writing style. There may be some rapidly aging technology references in his &#039;near now&#039; genre books, but he writes more as a non-technologist referencing &#039;stuff that does things&#039;. Its more apparent in some of the older books which take more of a time leap forward to points where the techno isn&#039;t yet realised.

I find there can be whole sections of prose, about a scene, situation or concept, that stand well by themselves and still knit into the narrative of the story. It reminds me of a mirrored wall of squares, with some straight glass insets; on a travellator, you&#039;re not sure when you are seeing through and when its a reflection. 

I also find the lifestyle characterisations give Gibson plenty of scope to play around and that I&#039;m sure some of the action writes itself based upon the logic and self-assured worldviews of the characters. This book also has folk escaped from Pattern Recognition included. I quite liked this. No big deal and no necessity to know the other storyline, but a little gesture towards some of his readers, perhaps. Book 2 of a near now series.

I don&#039;t think it really mattered what was in the container, except as a way to have an ending. Perhaps there&#039;s an alternative where its empty?</description>
		<content:encoded><![CDATA[<p>This was my backpack book last Summer, whilst I travelled around Canada. I enjoy Gibson&#8217;s writing style. There may be some rapidly aging technology references in his &#8216;near now&#8217; genre books, but he writes more as a non-technologist referencing &#8217;stuff that does things&#8217;. Its more apparent in some of the older books which take more of a time leap forward to points where the techno isn&#8217;t yet realised.</p>
<p>I find there can be whole sections of prose, about a scene, situation or concept, that stand well by themselves and still knit into the narrative of the story. It reminds me of a mirrored wall of squares, with some straight glass insets; on a travellator, you&#8217;re not sure when you are seeing through and when its a reflection. </p>
<p>I also find the lifestyle characterisations give Gibson plenty of scope to play around and that I&#8217;m sure some of the action writes itself based upon the logic and self-assured worldviews of the characters. This book also has folk escaped from Pattern Recognition included. I quite liked this. No big deal and no necessity to know the other storyline, but a little gesture towards some of his readers, perhaps. Book 2 of a near now series.</p>
<p>I don&#8217;t think it really mattered what was in the container, except as a way to have an ending. Perhaps there&#8217;s an alternative where its empty?</p>
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